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“a dazzling series of gender-switching roles…a Beyoncé-esque assertion of female power…excellent performers… There are some big, blowsy shows around in the West End, but this little belter is staging its own audacious invasion plan” ★★★★★
Suzi Feay, Financial Times

“a miraculous musical that tells the entire story in a kind of accelerated farce that is part Mel Brooks, part SIX, part Hamilton with a side order of One Man, Two Guvnors.” ★★★★★
Neil Norman, The Daily Mirror

“the stage show’s comic power rests in its ability to subvert expectation and provide a revisionist commentary on the establishment figures”

Emma John, The Observer

“a buzz louder than a doodlebug surrounds Operation Mincemeat…a kind of genius declares itself”

Dominic Cavendish, The Daily Telegraph

“this is the musical you didn’t know you needed…a little show with a very big future.”
David Benedict, Variety

18th November 2022 – After sold-out development runs at the New Diorama Theatre in 2019 and Southwark Playhouse in 2020, 2021 & 2022, plus an extended Riverside Studios run this summer, Operation Mincemeat transfers to the West End’s Fortune Theatre for previews (SpitLip never rest on their laurels) starting on the 29th March, followed by an 8-week run beginning on the 9th May 2023. Operation Mincemeat will be following thirty-three hugely successful years of The Woman In Black at the Fortune Theatre.

Tickets are on General Sale now from the Official Box Office at OperationMincemeat.com.

Priority access to the best seats is available via the official mailing list.

The year is 1943 and we’re losing the war. Luckily, we’re about to gamble all our futures on a stolen corpse. 

Singin’ in the Rain meets Strangers on a Train, Noel Coward meets Noel Fielding, Operation Mincemeat is the fast-paced, hilarious and unbelievable true story of the twisted secret mission that won us World War II. The question is, how did a well-dressed corpse wrong-foot Hitler? 

Operation Mincemeat won The Stage Debut award for Best Composer/Lyricist, the Off-West End award for Best Company Ensemble and was listed in the Observer’s Top 10 shows of the year.  The show is currently featured in the V&A’s Re:Imagining Musicals display, exploring how musicals have continuously reimagined, reinvented and reinterpreted themselves over time.

SpitLip said: “We’re overjoyed, overwhelmed, overtired, and cannot believe we’re bringing our show to the West End, where it will definitely run for at least 33 years”

Jon Thoday for Avalon said: “We’re very pleased to have supported the show to date and delighted to be chosen by SpitLip to help bring such a funny, moving and brilliant show to a wider audience”.

The show was commissioned by New Diorama Theatre, co-commissioned by The Lowry, and supported by the Rhinebeck Writers Retreat with additional support from Avalon.